RELEASED
2000
TYPE
studio album
STYLES
A.O.R.
TRACKS
01, Along Came Mary (6:25)
02, The More I Look (4:56)
03, Showdown (5:20)
04, Hungry (4:27)
05, The Garden (2:15)
06, Death And A ZOO (7:32)
07, Love Is A Thousand Times (3:30)
08, Say Goodbye (3:57)
09, Open The Door (8:54)
10, For Every Man (4:44)
DURATION
52:04
MUSICIANS
ROGER HODGSON -vocals, keyboards (1÷4,6,9), 12 string
guitars (1,2,7), guitars (3,4,6,10), harmonium (5), piano
(6), pipe organ (8,9), harpsichord (8), bass (8)
LAURENT VERNERET -bass (1÷5,7,9,10)
ALAN THOMSON -bass (6)
DENIS BENARROSH -percussion (1,3÷7,9,10)
LOÏC PONTHIEU -drums (1÷5,7,9,10), wavedrum (9)
JEFF PHILLIPS -drums (6)
GERRY CONWAY -drums (8), percussion (1,6)
TREVOR RABIN -guitars (2), keyboards (2), vocals (2)
MANUEL DELGADO -spanish guitars (9), palmas (9)
DAN AR BRAS -arpegg. guitars (10)
CLAUDE SAMARD -banjo (3), dobro (3,4), slide guitars (3,4,7),
bouzouki (6,7), pedal steel guitars (7), oud (9)
ARNAUD DUNOYER -hammond (1,7,9,10)
OLIVIER ROUSSEAU -piano (2,3)
JEAN LOUIS ROQUES -accordion (1,7,10)
JEAN JACQUES MILTEAU -harmonica (3)
CHRISTOPHER NEGRE -saxophone (1,4,10)
ALAN SIMON -high whistle (1,6), bodhran (6), harmonica (9)
BRUNO LE ROUZIC -bagpipe (1)
PASCAL MARTIN -uilleann pipe (1,6)
MICHEL GAUCHER -flute (9)
ZDENĚK RYS -oboe (6)
DIDIER LOCKWOOD -violin (3,6,8,9)
PAVEL BĚLOHLÁVEK -cello (6)
THE SYMPHONIC ORCHESTRA OF PRAGUE -orchestra
(1,2,5,6,8÷10)
MARIO KLEMENS -conducted orchestra (1,2,5,6,8÷10)
JEAN PIERRE MENEGHIN -scottish drums (1)
GURVAN HOUDAYER -scottish drums (1)
MARCO CANEPA -morse code (1,10)
DOMINIQUE REGEF -rebec (5), vielle a roue (6)
REV. JESSE JACKSON -guest appearance (3)
RONALD REAGAN -guest appearance (3)
THE BULGARIAN CHOIR "PHILIPPOPOLIS" -voices (8,9)
HRISTO ARABADJIEV -conducted bulgarian choir (8,9)
ILANA RUSSELL -children's choir (10)
SIERRAH DIETZ -children's choir (10)
JUSTINE BLACK -children's choir (10)
MOLLY KATWMAN -children's choir (10)
PRODUCED BY
ALAN SIMON
ROGER HODGSON
REVIEW
Nezaměnitelný "slavičí" hlas Rogera Hodgsona a jeho kompoziční styl jsou natolik spjaty se soundem dávných Supertramp, že každé jeho album chtě nechtě oživuje otázky "co kdyby se zase dali Supertrampíci dohromady".